Creators
Background sound for video, streams and social content, where the licence needs to be clean enough to survive a copyright check.
Home / Licensing
Use it in your own work.
The catalogue can be licensed for creative and commercial use, and sound environments can be built for organizations directly. Both come with written terms and a documented production record.
Licensing
Five kinds of use.
Podcasts
Beds, intros and transitions built to sit under speech without fighting it.
Film & documentary
Scored moments and ambient beds, licensed by media, territory and duration.
Events
Arrival, interval and closing sound for gatherings that want an atmosphere rather than a playlist.
Brands
Sound identity and campaign use, including exclusivity where the brief needs it.
What you get in writing
- Permitted media and platforms
- Territory and duration
- Exclusivity, where agreed
- Permitted edits
- The production record behind the track
Why the paperwork matters here. Distributors and platforms increasingly ask for proof of commercial rights on AI-assisted audio. Every track carries a written record of how it was made and under what terms — so a licence from me holds up when someone asks.
For organizations
Sound built for a room and an hour.
Commissioned rather than licensed — made for a specific space, a specific group of people, and a specific thing you want that hour to feel like.
Gatherings
Arrival, transition and closing sound for conferences, retreats, launches and ceremonies — paced to the run of the day rather than shuffled.
Workspaces
Long-form beds for offices, libraries, co-working floors and study spaces, designed for hours of presence without fatigue.
Quiet programmes
Sound for wellbeing sessions, faith gatherings, memorials and reflection spaces — written with the same care about what it does not claim.
Next
Tell me what it’s for.
The use case shapes the licence and the price. A sentence about where it is going is enough to start.